This eleven-day camp at the Scottish Sculpture Workshop was for challenging our industrialised sense of self and relation to the ecosystems we inhabit and rely on. It is for researching, debating, and practicing post-oil aesthetics and culture. It is for asking and acting on important questions about climate breakdown and survival. It is for entering a larger shared effort that goes forward and amplifies itself in the places, cities, landscapes, narratives, and congregations we carry it to.

I contributed to the camp with Beat to the Balance and Clydesdale Oracle sessions.

Invited speakers and facilitators: Ximena Alarcón (Deep Listening facilitator), Bruce Ball (soil scientist), Tim Collins and Reiko Goto (environmental artists), Charlotte Du Cann and Nick Hunt (Dark Mountain Project), Dudendance Theatre (multimedia artists), Mari Keski-Korsu (artist), Nance Klehm (radical environmentalist), Alastair McInstosh (activist & writer), Andy Wightman (land reform activist), Simon Yuill (artist & programmer), Tap o’ Noth Permaculture, Trees For Life.

Organisers: Brett Bloom (artist & organiser) & Nuno Sacramento (director of SSW)
Camp design: Sofia Oliveira (architect) & Brett Bloom

See also :


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